headshot_2010

Jack O Shea

Project Overview

My research focuses on developments in documentary animation in 1980s Britain. I use films from this period to examine how analogue production techniques generate authenticity in animation. This research follows a practice-led approach, part of which involves drawing and animating. Samples of this research are presented here as clips and still images.

still frame_whisper_multiscreen
animation frames - acrylic ink on paper
punch gif_1
acrylic ink animation
cars_1
acrylic ink animation
hair bursh_1
wax crayon animation
ink run_1
wet ink animation
swimming_1
wax resist animation
cel animation
cel animation (still frame)
lightbox_1
light box animation (still frame)
animation frames_2
animation frames - acrylic ink on paper
Thesis: A Certain Margin of Crudeness: Animated Fiction in a Documentary Idiom

My research focuses on a collection of short animated documentaries created in England in the early 1980s. They serve as the basis to inquire how authenticity is generated through analogue animation techniques. Chapter one analyses the narrative structure, subject matter, and audiovisual style of these films. Chapter two situates them in the history of representational strategies documenting reality in animation. Chapter three examines the use of analogue production techniques to support the evidentiary value of these animated documentaries, and considers how the techniques can be adapted to fiction.

headshot_2010
Jack O Shea
MA Animation

I make films using 2D animation, some of which have been selected for Sundance and Annecy, and another won an IFTA.