Rose Masterson
THE RESISTIBLE RISE OF ARTURO UI
Hitler's rise to power told in a nonsensical time period where the whole city is shaped like the Tower of Babel.
CORPS.
An unlikely duo must stop an invasion of planet-eating aliens, leading to the discovery that their planet is in fact a dead body being eaten by maggots.
MO'S MEANS ROCK RHYTHM & JAZZ
A music store that has been closed for decades, called "Mo's Rock Rhythm and Jazz", is crumbling, and nature has started to reclaim it.
There are five main tiers of the city. Starting at the top is the financial district. Non-Euclidean geometry, void of colour, filled with staircases and under perpetual construction
The second tier is for the government, court system, law enforcement. All have their buildings here; under the shadow of the financial district the neo-classic architecture is in darkness.
The third and 4th tiers are for upper and lower levelling housing and commercial districts; it is a mix between 1930's architecture and more modern aesthetics
The very bottom of the city is cramped in a ravine at the base of the city structure, seeming endless number of tiny houses remind hidden to the people of New-Chicago.
The entire planet is secretly a teenage girl on the brink of death. The 3 major locations being a city wedged under her ribcage, a church flowing in her throat, and a cockpit built into her mouth.
Hemoglobal, the city's biggest corporation, has drained the planet of almost all its resources, leading to maggots arriving and eating into her body, thus tearing apart the city.
Our protagonist, a humble delivery drive for Hemoglobal must partner with her arch nemesis to stop the maggots, discovery the mystery of her planet and rise against Hemoglobal.
Rose Masterson is a recent graduate from IADT's Production Design (BA Design for Film) course. She has studied écorché in the Florence Academy of Art and has developed a broad range of skills including illustration, hand drafting, AutoCAD technical drawing, Sketchup and V-Ray rendering, storyboarding, modelmaking, and scenic painting.
She has also gained practical experience through various collaborative projects with the National Wax Museum, Jumper Productions, RTE, and the Royal Irish Academy of Music.
Rose is most interested in continuing to hone her craft in fields such as production design, scenic painting, concept art, and character design.
