Courses

Isaré Sánchez Gómez

Hi, I'm Isaré! I'm a Production Designer, born In Spain and specialized in Design for Stage and Screen, Production in IADT, Ireland. I am a designer who enjoys creating worlds of all kinds of styles, from the most realistic to the most abstract, always trying to create breathtaking content. As a professional, I enjoy achieving my goals and working with dedicated teams. Thanks to my dedication I have managed to work on several projects, including travelling to Hungary to shoot a Netflix series. I have been trained in various skills such as the use of programs like Rhino 7, AutoCAD, Photoshop, illustrator and many more, in addition to my passion for set decoration.

This is the final product and my Major project, The Path of the Archer, the short movie. The beginning of the story is led by two characters: Tetsuya, the master archer and the Foreigner, an archer ready to learn Tetsuya's skills and the true skill the archer must master. there are two worlds in the film, the real world where Tetsuya is and the "dream world" where the key steps of the Patch of the Archer are contained in a surrealist space. I used locations from a town in Spain named Antequera.

The whole set is designed in Rhino 7. This is a rendered image of the set cut in half, a peek through what the set looks like and how we travel to different floors.

This would be the rendered image of the building seen from the outside, it wouldn't be built, it would be a digital world, except for the floors, which would be built in a studio.

**The Allies**: *Sketching* This floor represents a very important step: we need allies, friends and people who build a path and guide us through it. For that I made arches that looked like characters but built with wire, to represent the sketching.

Here we can appreciate the arches better. I was influenced by Gaudí, a Spanish architect.

This is the last floor, it has two of the last steps: **Observe the Arrow's Journey**, *Fist Model*; and **The Bare Archer**, *The Final Model*. The first one is actually one of my first designs and the materials used are white card texture and colourful lines surrounding the edges of the shapes, to connect the colour palette. The second one is just stairs that bring us to the top of the building and allow us to reflect on the walked path.

**Time to fire**:*Construction Drawings* This set is a floor plan that is elevating itself creating the patterns of a future set, just like shooting the arrow, making its way into the target.

A little set piece located on the *Research* floor, they're sketchbooks 3D models with my own sketches inside!

Other sketches from my sketchbook that I found very intersting to look at.

The Path of the Archer

This little story teaches us how to deal with our goals in life through a metaphor, the steps an archer must follow to become a master of the arrow, which is why I created a connection between the archer's path and the design process of an artist, the steps a designer follows to reach our target. I designed a building (Rhino 7, digital) that would hold 5 different floors that contain the different parts of the design process: Research, Sketching, Construction Drawings, The First Models and The Final Design. Each part is connected to a step of the path, some examples will be seen later. For the Major, I decided to learn how to use Rhino 7 and I combined it with other programmes such as AutoCAD, Illustrator, Photoshop and Vray.

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Objectification of the Female Body in Almodóvar’s films from the 1980s to the 2000s

The female body has always been the object of "inspiration" or sexualisation in the art world, and with the innovation of recent years, it has been brought into the world of cinema. In this work, we will talk specifically about a prominent Spanish director who has had international success, Pedro Almodóvar. With the excuse of selling a supposedly feminist cinema by focusing much more on female characters, we will see throughout this dissertation an evolution to the worse of his sexist content, starting with this film Tie me up tie me down! (1989), passing through Kika (1993) and ending with the hardest one, Talk to Her (2002). The common points of the three films are the abuse and involuntary submission, as well as the sexualisation of the female figure without treating it with much respect, but rather presenting it as something normal, comical or excusable. We’ll also see how all of his work is influenced by the recent Spanish dictatorship and the situation in Spain after that.

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